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    Les Jours de mon abandon / The Days of Abandonment

    Udine | Teatro Palamostre, Sala Pier Paolo Pasolini
    6, 7, 8 marzo 2025 ore 20:30
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Udine | Teatro Palamostre, Sala Pier Paolo Pasolini
6, 7, 8 marzo 2025 ore 20:30

Intero 22,00 €
Ridotto 19,00 €
Studenti 10,00 €
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Les Jours de mon abandon / The Days of Abandonment

Elena Ferrante / Gaia Saitta

CREDITS
year
2025
text
conception, adaptation, direction Gaia Saitta
artistic collaboration Sarah Cuny, Mathieu Volpe, Jayson Batut
text and dramaturgy Gaia Saitta, Mathieu Volpe
assistant director Sarah Cuny
cast
Jayson Batut, Flavie Dachy / Mathilde Karam, Gaia Saitta, Vitesse (the dog)
set & lighting design
set designer Paola Villani
lighting Amélie Géhin
music
music and sound designer Ezequiel Menalled
additional details
costume designer Frédérick Denis
stage manager Giuliana Rienzi
audio director Pawel Wnuczynski
video design and direction Stefano Serra
stage director Thomas Linthoudt
coach/acting children Lola Chuniaud
dog coach (work done with respect for the animal) Casting Tails - Tim Van Brussel
production
a performance by Gaia Saitta / If Human
production Théâtre National Wallonie-Bruxelles
co-production Kunstenfestivaldesarts, Piccolo Teatro di Milano - Teatro d'Europa, CSS Teatro stabile di innovazione del FVG, TNC-Teatre Nacional de Catalunya Barcelone, Théâtre de Namur, Le Manège Maubeuge, La Coop asbl, Shelter Prod
with the support of BAMP - Brussels Art Melting Pot asbl, Taxshelter.be, ING et du Taxshelter du gouvernement fédéral belge

inspired by The Days of Abandonment by Elena Ferrante © 2002 E/O Editions

Italy, the late 1990s. Olga, a 40-year-old woman with two children, is a devoted mother and wife. She does her best to lead a life in perfect harmony with what society imposes on her. One day, her husband leaves her for a young woman, as in the most pathetic soap opera. Her whole world collapses. In the grip of a permanent feeling of danger, Olga sinks into a state of rage. She becomes vulgar, violent, grotesque.
After she has removed her make-up and given up appearances, an unexpected woman emerges. Scandalous and powerful. Almost mythical, she steps forward in all her tragedy: a contemporary Medea, who no longer needs to kill to exist.

In this adaptation of Elena Ferrante’s book, actress and director Gaia Saitta plays this woman, accompanied by her children and her dog. Trading her oppressed body for a resistant one, she lets herself go, finally liberated. 
Everything has to be rebuilt, starting with language. The audience, scattered on and off the stage, is both part of and witness to this transformation.

Images

Tour

premiere
15 - 19 May 2024
Kunstenfestivaldesarts
Bruxelles, Création Studio Théâtre National Wallonie-Bruxelles

tour
25 September - 4 October 2024 
Brussels, Théâtre National
7, 8, 9 February 2025
Barcelona, Teatre Nacional de Catalunya, Sala Petita
28 February - 2 March 2025
Milan, Teatro Studio Melato
6, 7, 8 March 2025, h 20.30
Teatro Contatto
Udine, Teatro Palamostre
17, 18, 19 April 2025
Namur (FR), Théâtre de Namur, Grande Salle
24 April 2025, h 20
Maubeuge (FR), Le Manège, Atelier Renaissance